Yuria Okamura's drawing practice brings together and reinterprets various idealities from across cultures and histories through the utopian language of geometry and diagrammatic aesthetics.
She maps and reconfigures geometric patterns and symbols that reference esoteric symbolism, occult diagrams, religious architecture and decoration, and spiritualist abstract painting. In doing so, Yuria examines the symbolic implications of harmonic ideals that seem to be universally embedded in geometry, and how such ideas might open up to reinterpretations within the new interrelated compositions.
She also deploys wall drawing to create immersive drawing installations by using architecture and gardens as visual metaphors. By incorporating spatiality in this way, she draws up open-ended contemplative spaces where nature and architecture, and physical and metaphysical worlds come together.
Yuria Okamura is a Melbourne-based artist whose drawing practice explores harmonic idealities through the language of geometry and diagrammatic aesthetics. Yuria completed MFA (Research) at The University of Melbourne in 2015 after finishing BFA (Honours) at RMIT University in 2010. She has received a number of awards, scholarships and residencies including Australia Council Career Development Grant, Stuart Black Memorial Scholarship, Ursula Hoff Institute Drawing Award, Lloyd Rees Memorial Youth Art Award, RMIT Honours Travelling Endowment Scholarship, The Studios at MASS MoCA (USA), Abbotsford Convent Studio Residency, Bayside City Council Residency and Takt Artist Residency (Germany). Recent shows include La Trobe Art Institute, Incinerator Gallery, C3 Contemporary Art Space, Anna Pappas Gallery, Five Walls, Tributary Projects, Kunstraum Tapir (Germany), Langford 120, Seventh Gallery, Japan Foundation Sydney Gallery, and Mølla På Grim (Norway). Her work has been featured on international magazines including Fukt (Germany) and Create Mag (USA).